#50mm

Heiko Schulz's avatar
Heiko Schulz

@HHS@pixelfed.social

A bit early for #fensterfriday

#windowfriday #windowfreitag #fensterfreitag #street #streetphoto #streetphotography-bnw #bnw #bnw-addicted #bnwphotography
#kodak #tmax3200 #selfscanned #pixllatr #minoltaxd7 #50mm #macro #minoltagang #grain #grainisgood #downtherabbithole
A grainy, high-contrast black and white photograph taken at night, capturing a layered and surreal street scene through a glass window. The image is heavy with film grain and visual noise, giving it a gritty, noir aesthetic. The composition is split into several visual layers: The Foreground (Reflection): A large, bright "SALE" sign is visible in the lower right, appearing as a ghostly reflection. To the right of the center, two featureless mannequins are reflected in the upper portion of the glass, looking like ethereal figures floating over the street. The Middle Ground (Street Level): Seen through the glass, a group of three or four people are walking across a dark pavement. They appear as dark silhouettes against a brightly lit storefront in the background. To the left, two decorative, rounded bushes wrapped in fairy lights provide small orbs of glow. The Background (Architecture): Above the bright shop windows, the dark outlines of a traditional multi-story buildin
ALT text detailsA grainy, high-contrast black and white photograph taken at night, capturing a layered and surreal street scene through a glass window. The image is heavy with film grain and visual noise, giving it a gritty, noir aesthetic. The composition is split into several visual layers: The Foreground (Reflection): A large, bright "SALE" sign is visible in the lower right, appearing as a ghostly reflection. To the right of the center, two featureless mannequins are reflected in the upper portion of the glass, looking like ethereal figures floating over the street. The Middle Ground (Street Level): Seen through the glass, a group of three or four people are walking across a dark pavement. They appear as dark silhouettes against a brightly lit storefront in the background. To the left, two decorative, rounded bushes wrapped in fairy lights provide small orbs of glow. The Background (Architecture): Above the bright shop windows, the dark outlines of a traditional multi-story buildin
Heiko Schulz's avatar
Heiko Schulz

@HHS@pixelfed.social

A bit early for #fensterfriday

#windowfriday #windowfreitag #fensterfreitag #street #streetphoto #streetphotography-bnw #bnw #bnw-addicted #bnwphotography
#kodak #tmax3200 #selfscanned #pixllatr #minoltaxd7 #50mm #macro #minoltagang #grain #grainisgood #downtherabbithole
A grainy, high-contrast black and white photograph taken at night, capturing a layered and surreal street scene through a glass window. The image is heavy with film grain and visual noise, giving it a gritty, noir aesthetic. The composition is split into several visual layers: The Foreground (Reflection): A large, bright "SALE" sign is visible in the lower right, appearing as a ghostly reflection. To the right of the center, two featureless mannequins are reflected in the upper portion of the glass, looking like ethereal figures floating over the street. The Middle Ground (Street Level): Seen through the glass, a group of three or four people are walking across a dark pavement. They appear as dark silhouettes against a brightly lit storefront in the background. To the left, two decorative, rounded bushes wrapped in fairy lights provide small orbs of glow. The Background (Architecture): Above the bright shop windows, the dark outlines of a traditional multi-story buildin
ALT text detailsA grainy, high-contrast black and white photograph taken at night, capturing a layered and surreal street scene through a glass window. The image is heavy with film grain and visual noise, giving it a gritty, noir aesthetic. The composition is split into several visual layers: The Foreground (Reflection): A large, bright "SALE" sign is visible in the lower right, appearing as a ghostly reflection. To the right of the center, two featureless mannequins are reflected in the upper portion of the glass, looking like ethereal figures floating over the street. The Middle Ground (Street Level): Seen through the glass, a group of three or four people are walking across a dark pavement. They appear as dark silhouettes against a brightly lit storefront in the background. To the left, two decorative, rounded bushes wrapped in fairy lights provide small orbs of glow. The Background (Architecture): Above the bright shop windows, the dark outlines of a traditional multi-story buildin
royergraph's avatar
royergraph

@royergraph@mastodon.online

Christmas decor.

Lieven symaeys's avatar
Lieven symaeys

@LievenSymaeys@pixelfed.social

With this photo, I can perhaps make a transition to another subject. It was still taken with a Chinon CM-4.
https://pixelfed.social/c/902841487777617137

The girl by the swimming pool " Au bord de la piscine " was photographed in Kinshasa ( the capital of Congo in Central Africa).

When you have a photo from such a very brief encounter (“may I take a photo of you?”), you sometimes wonder ten years later… what might have become of you?

It was ten years ago, and through my job I was able to travel to Australia, with Congo in Africa afterwards. Because I was afraid of losing, for example, my Canon A1, I only took two Chinon SLR cameras with me (at the time I saw them as more replaceable, and they were lighter in my luggage and around my neck).
I will definitely make a Congo collection!

This photo was taken with a #Chinon CM-4 #analog is timeless. #filmphotography #ishootfilm #grainisgood #portraitphotography #kodak #pentax #50mm #portraitphotography #portrait #film #model #congo #africa #kinshasa #swimmingpool
Lieven symaeys's avatar
Lieven symaeys

@LievenSymaeys@pixelfed.social

With this photo, I can perhaps make a transition to another subject. It was still taken with a Chinon CM-4.
https://pixelfed.social/c/902841487777617137

The girl by the swimming pool " Au bord de la piscine " was photographed in Kinshasa ( the capital of Congo in Central Africa).

When you have a photo from such a very brief encounter (“may I take a photo of you?”), you sometimes wonder ten years later… what might have become of you?

It was ten years ago, and through my job I was able to travel to Australia, with Congo in Africa afterwards. Because I was afraid of losing, for example, my Canon A1, I only took two Chinon SLR cameras with me (at the time I saw them as more replaceable, and they were lighter in my luggage and around my neck).
I will definitely make a Congo collection!

This photo was taken with a #Chinon CM-4 #analog is timeless. #filmphotography #ishootfilm #grainisgood #portraitphotography #kodak #pentax #50mm #portraitphotography #portrait #film #model #congo #africa #kinshasa #swimmingpool
laurent_dufour_paris's avatar
laurent_dufour_paris

@laurent_dufour_paris@mamot.fr

Penelope Bachelet - Photographer : Laurent DUFOUR - Please support my instagram feed @laurent.dufour.paris - #2025

journal-photographique.eu/pene

Mattia Giovanetti's avatar
Mattia Giovanetti

@mattiagiovanetti@mastodon.uno

Passeggiata sotto una pioggia leggera di dicembre.

laurent_dufour_paris's avatar
laurent_dufour_paris

@laurent_dufour_paris@mamot.fr

Genevieve & Sabine - Photographer : Laurent DUFOUR - Please support my instagram feed @laurent.dufour.paris - #2025

journal-photographique.eu/gene

laurent_dufour_paris's avatar
laurent_dufour_paris

@laurent_dufour_paris@mamot.fr

Ross Guillaume - Photographer : Laurent DUFOUR - Please support my instagram feed @laurent.dufour.paris - #2025

journal-photographique.eu/ross

Patrick's avatar
Patrick

@patrickaugustin.bhl@pixelfed.social

#london #london🇬🇧 #architecture #architecturephotography #streetphotography #urban #urban_perspectives
#sony #sonyalpha #sonyalpha7cii #50mm #sel50mmf25g
royergraph's avatar
royergraph

@royergraph@mastodon.online

📍Kepong.

TildalWave (~👋)'s avatar
TildalWave (~👋)

@tildalwave@infosec.exchange

Happy St. Martin's Day and the compulsory feast, young wine tasting, roasted chestnuts and generally kind spirits everyone!

A bunch of tiny young Parasola conopilea, also known as the Conical Brittlestem mushrooms standing tall in late autumn forest, illuminated by strong morning sunshine from the side as the Sun lingers low on the horizon at this time of the year.
ALT text detailsA bunch of tiny young Parasola conopilea, also known as the Conical Brittlestem mushrooms standing tall in late autumn forest, illuminated by strong morning sunshine from the side as the Sun lingers low on the horizon at this time of the year.
Mattia Giovanetti's avatar
Mattia Giovanetti

@mattiagiovanetti@mastodon.uno

Scatti di inizio novembre 2025.

Un albero illuminato dal sole.
ALT text detailsUn albero illuminato dal sole.
Un gatto che spunta da una catasta di legna.
ALT text detailsUn gatto che spunta da una catasta di legna.
L'effetto della luce e della foschia sul fogliame d'autunno.
ALT text detailsL'effetto della luce e della foschia sul fogliame d'autunno.
Muschio su un ceppo.
ALT text detailsMuschio su un ceppo.
Eduardo Avila's avatar
Eduardo Avila

@eacphotography@pixelfed.social

under the streetlight









#urbanminimalism #nightgeometry #bnwphotography #noirframes #quietlight #modernnoir #noir #photography #discover #shadowplay #shadows #architecturalphotography #cityatnight #linesandshadows #canon77d #50mm
Eduardo Avila's avatar
Eduardo Avila

@eacphotography@pixelfed.social

halloween











#happyhalloween #costume #halloween #eggleston #saulleiter ##urbanminimalism #nightgeometry #bnwphotography #noirframes #quietlight #modernnoir #noir #photography #discover #architecturalphotography #cityatnight #linesandshadows #canon77d #50mm
Eduardo Avila's avatar
Eduardo Avila

@eacphotography@pixelfed.social

evening figure










#urbanminimalism #nightgeometry #bnwphotography #noirframes #quietlight #modernnoir #noir #photography #discover #architecturalphotography #cityatnight #linesandshadows #canon77d #50mm
Xavier Puyo's avatar
Xavier Puyo

@xapuyo@mamot.fr

Amis de la ferme


Cochon fortement intrigué par ma présence, entouré de foin et de bons amis.
ALT text detailsCochon fortement intrigué par ma présence, entouré de foin et de bons amis.
Petit agneau dans le foin, mi heureux, mi craintif
ALT text detailsPetit agneau dans le foin, mi heureux, mi craintif
Fesses de vache, dans la boue, la queue au vent, les mouches sont loin...
ALT text detailsFesses de vache, dans la boue, la queue au vent, les mouches sont loin...
Mattia Giovanetti's avatar
Mattia Giovanetti

@mattiagiovanetti@mastodon.uno

Qualche scatto da una passeggiata di fine ottobre.

Mattia Giovanetti's avatar
Mattia Giovanetti

@mattiagiovanetti@mastodon.uno

Qualche scatto da una passeggiata di fine ottobre.

∫∅∟∪∫'s avatar
∫∅∟∪∫

@solus_lu@mastodon.social

Fujifilm X-Pro3
Nikon AIS 50mm F1.4
台北スナップ

∫∅∟∪∫'s avatar
∫∅∟∪∫

@solus_lu@mastodon.social

Fujifilm X-Pro3
Nikon AIS 50mm F1.4
台北スナップ

Mattia Giovanetti's avatar
Mattia Giovanetti

@mattiagiovanetti@mastodon.uno

Qualche scatto d'autunno.

L'effetto dell'ossidazione su un tubo.
ALT text detailsL'effetto dell'ossidazione su un tubo.
Foglie che cambiano colore d'autunno.
ALT text detailsFoglie che cambiano colore d'autunno.
Camilla, il mio cane, che passeggia su una strada di campagna con foglie a terra.
ALT text detailsCamilla, il mio cane, che passeggia su una strada di campagna con foglie a terra.
Un albero in lontananza che cambia colore delle foglie.
ALT text detailsUn albero in lontananza che cambia colore delle foglie.
Lars Fiedler :darktable:'s avatar
Lars Fiedler :darktable:

@PaperG@mastoart.social

- was auch immer - bei @norberteder's

35/52 Matter of Perspective
So I went out. I wanted to change the perspective, because that's the most important thing for me when I'm out taking photos. And so I lowered my gaze to - guess what... 50mm above the ground. I wondered what the world looks like to small animals. And of course, this picture was taken with a focal length of 50 mm 🤪

:nikon: :darktable:

Close-up of a dirt road just above the ground. Some grass to the left, stones and dust in the foreground being in focus. The track stretches into the distance, to its left and right there are green meadows. The blurred background shows some trees and the blue sky above has some blurred white summer clouds. AI disclaimer: Using my work, its meta data, written or derived description to create media with or train AI based systems is prohibited.
ALT text detailsClose-up of a dirt road just above the ground. Some grass to the left, stones and dust in the foreground being in focus. The track stretches into the distance, to its left and right there are green meadows. The blurred background shows some trees and the blue sky above has some blurred white summer clouds. AI disclaimer: Using my work, its meta data, written or derived description to create media with or train AI based systems is prohibited.
Norbert's avatar
Norbert

@norberteder@graz.social

Mein Bild für die ist im Kasten.

2025/35

Weitere Infos & Bilder:
norberteder.photography/52-woc

Foto von einem Sandstrand von sehr nah am Boden aufgenommen. Im Hintergrund Wasser und eine Steinschlichtung. Darauf sitzt eine Möwe.
ALT text detailsFoto von einem Sandstrand von sehr nah am Boden aufgenommen. Im Hintergrund Wasser und eine Steinschlichtung. Darauf sitzt eine Möwe.
Markus Rath's avatar
Markus Rath

@turgaer@pixelfed.cafe

Im Urlaub in #Wien waren wir natürlich auch auf dem #Prater und in Madame #Tussauds. Ob Tarantino privat auch mit #50mm fotografierte? Ich weiß es nicht. Ich weiß nur, dass ich mit meinem 35mm (APS-C 50mm-Äquivalent) fasziniert durch die Ausstellung stiefelte. :) #52wochenfotochallenge @norberteder@graz.social
Eine detaillierte Wachsfiguren-Nachbildung von Quentin Tarantino, der eine Geste mit beiden Händen macht, wobei er sie vor seinen Augen in Form einer imaginären Leinwand formt, um die Perspektive einer Szene abzuschätzen. Die Komposition des Bildes ist auf ihn konzentriert. Eine alte Filmkamera nimmt einen Teil des Hintergrunds ein. Das Aussehen von Tarantino, inklusive seiner Gesichtszüge und Kleidung, ist in den Details realistisch dargestellt. Sein Ausdruck suggeriert Konzentration.
ALT text detailsEine detaillierte Wachsfiguren-Nachbildung von Quentin Tarantino, der eine Geste mit beiden Händen macht, wobei er sie vor seinen Augen in Form einer imaginären Leinwand formt, um die Perspektive einer Szene abzuschätzen. Die Komposition des Bildes ist auf ihn konzentriert. Eine alte Filmkamera nimmt einen Teil des Hintergrunds ein. Das Aussehen von Tarantino, inklusive seiner Gesichtszüge und Kleidung, ist in den Details realistisch dargestellt. Sein Ausdruck suggeriert Konzentration.
Antoinne Sterk's avatar
Antoinne Sterk

@antoinnesterk@cyberplace.social

Still too large

* Since I only use my Pixel phone for photography nowadays, I once again had to improvise.


2025/35

The central focus is a backlit film strip laid across a glowing white light pad with a ruler printed along the top and left sides. The film strip contains two distinct images: a portrait of a person, and a chair. The film has a distinct orange tint, common for negatives. A pair of metal scissors with a classic design lies diagonally across the light pad, resting on top of a light-green paper form with grids and text. The scissors are positioned to cut the film strip. Other photography-related items are scattered around the workspace, including a blue booklet titled "Filmpost" and other film negatives and strips.
ALT text detailsThe central focus is a backlit film strip laid across a glowing white light pad with a ruler printed along the top and left sides. The film strip contains two distinct images: a portrait of a person, and a chair. The film has a distinct orange tint, common for negatives. A pair of metal scissors with a classic design lies diagonally across the light pad, resting on top of a light-green paper form with grids and text. The scissors are positioned to cut the film strip. Other photography-related items are scattered around the workspace, including a blue booklet titled "Filmpost" and other film negatives and strips.
Antoinne Sterk's avatar
Antoinne Sterk

@antoinnesterk@cyberplace.social

Still too large

* Since I only use my Pixel phone for photography nowadays, I once again had to improvise.


2025/35

The central focus is a backlit film strip laid across a glowing white light pad with a ruler printed along the top and left sides. The film strip contains two distinct images: a portrait of a person, and a chair. The film has a distinct orange tint, common for negatives. A pair of metal scissors with a classic design lies diagonally across the light pad, resting on top of a light-green paper form with grids and text. The scissors are positioned to cut the film strip. Other photography-related items are scattered around the workspace, including a blue booklet titled "Filmpost" and other film negatives and strips.
ALT text detailsThe central focus is a backlit film strip laid across a glowing white light pad with a ruler printed along the top and left sides. The film strip contains two distinct images: a portrait of a person, and a chair. The film has a distinct orange tint, common for negatives. A pair of metal scissors with a classic design lies diagonally across the light pad, resting on top of a light-green paper form with grids and text. The scissors are positioned to cut the film strip. Other photography-related items are scattered around the workspace, including a blue booklet titled "Filmpost" and other film negatives and strips.
HelliH's avatar
HelliH

@HelliH@muenchen.social

@norberteder

2025/35

Canon EOS 4000D mit Canon EFS 18-55 mm, mit 50 mm Brennweite erstellt und mit GIMP auf 3:4 zugeschnitten.
Puh, das war schwierig, als Thema und technisch. (Wischt Schweiß ab.)

Weißer Zollstock oben und gelbes Maßband unten auf und an einer Bambus-Halterung für Bambusbretter, eines ist der Hintergrund. Die 5 cm auf den Anzeigeskalen liegen in der Bildmitte. Lichtfall von links oben, leichter Schattenwurf an Zollstock und Maßband zu sehen.
ALT text detailsWeißer Zollstock oben und gelbes Maßband unten auf und an einer Bambus-Halterung für Bambusbretter, eines ist der Hintergrund. Die 5 cm auf den Anzeigeskalen liegen in der Bildmitte. Lichtfall von links oben, leichter Schattenwurf an Zollstock und Maßband zu sehen.
Jan Mayen's avatar
Jan Mayen

@jan_mayen@social.tchncs.de

50mm - eine etwas andere Interpretation des Themas…

Ausschnitt eines Meßschiebers vor schwarzem Hintergrund. Zwischen den Backen ist eine Imbusschraube, die genau 50mm lang ist. Auch bei der 0,05mm Skala steht die 10 auf dem Strich. Die Schraube hat nur zur Hälfte Gewinde und ist etwas blanker als die gebürstete Oberfläche des Meßschiebers.
ALT text detailsAusschnitt eines Meßschiebers vor schwarzem Hintergrund. Zwischen den Backen ist eine Imbusschraube, die genau 50mm lang ist. Auch bei der 0,05mm Skala steht die 10 auf dem Strich. Die Schraube hat nur zur Hälfte Gewinde und ist etwas blanker als die gebürstete Oberfläche des Meßschiebers.
Johan Olsson's avatar
Johan Olsson

@foolson@pixelfed.social

Bergagården Hunneberg, Vargön
📷 Canon EOS 3000V + Canon EF 50 mm f/1,8 II
🎞️ SantaColor 100
#analogphotography #analog #photography #filmphotography #kodakaerocolor #aerocolor #santacolor #santacolor100 #kodak #canon #canoneos #canoneos3000v #50mm
Pascal Volk's avatar
Pascal Volk

@pvo.bsky.social@bsky.brid.gy

Waiting 📷: ISO: 100 ⭕: @ƒ/7.1 ⏱️ : 1/200 sec 📆: 2025-06-11 🔗: flic.kr/p/2rakpUh

Pascal Volk's avatar
Pascal Volk

@pvo.bsky.social@bsky.brid.gy

In the morning on the escalator 📷: ISO: 100 ⭕: @ƒ/7.1 ⏱️: 1.3 sec 📆: 2025-06-11 🔗: flic.kr/p/2raekxa

Dendrobatus Azureus's avatar
Dendrobatus Azureus

@Dendrobatus_Azureus@bsd.cafe · Reply to Dendrobatus Azureus's post

A detailed shot of the ancient shifting system that Shimano made more than 30 years ago. These shifters were mounted on a Brands frame

The photograph shot in monochrome is focused on a bicycle handlebar. The handlebar is prominently featured in the foreground, with a shiny, metallic finish that reflects light, highlighting its contours and the grip area. The handlebar is attached to a black rubber grip, which is partially visible. The background is in smooth bokeh, showing a building with white columns and potted plants, suggesting an urban setting. The lighting creates a dramatic contrast, emphasizing the texture and form of the handlebar. Ovis2-8B 🌱 Energy used: 0.148 Wh
ALT text details The photograph shot in monochrome is focused on a bicycle handlebar. The handlebar is prominently featured in the foreground, with a shiny, metallic finish that reflects light, highlighting its contours and the grip area. The handlebar is attached to a black rubber grip, which is partially visible. The background is in smooth bokeh, showing a building with white columns and potted plants, suggesting an urban setting. The lighting creates a dramatic contrast, emphasizing the texture and form of the handlebar. Ovis2-8B 🌱 Energy used: 0.148 Wh
∫∅∟∪∫'s avatar
∫∅∟∪∫

@solus_lu@mastodon.social

又快到集體返家的時節？
Mass homeward season soon?

Fujifilm X-Pro3
Nikon AIS 50mm F1.4
台北スナップ

pkg update's avatar
pkg update

@pkgupdt@hl.pkgu.net

https://blog.naver.com/1967jk/223712205941

캐논 RF 50mm F1.8은 조리개 개방이나 짧은 초점거리에서 수차 등으로 해상력이 떨어지지만 그 것도 맛으로 이해하면 준수한 올드 스쿨 요즘 렌즈.

구조를 보면 접안렌즈가 바디와 상당히 떨어져 있어서 사실상 EF 50mm F1.8 III (PMO 렌즈 투입) + 컨버터의 광학계라고 해도 과언이 아니다. RF 28mm F2.8처럼 RF 마운트 플렌지백에 최적화된 설계였으면 더 좋았겠지만 그 덕분에 가격을 낮췄다고 하면 나쁜 선택은 아님.

올드 스쿨 카메라 회사인 캐논을 대표하는 렌즈. 나도 잘 쓰고 있음. 싼 RF 렌즈들이 한국 커뮤에서는 평이 안 좋지만 개인적으로는 캐논으로 오는 가장 큰 이유였을 정도로 다들 준수하고 좋은 렌즈들임. 최소한 (캐논의 명성?답지 않게) 가성비 다 좋음. 비판적인 리뷰어들도 근데 가격으로 까지는 못하니. ㅋㅋ;

.8

∫∅∟∪∫'s avatar
∫∅∟∪∫

@solus_lu@mastodon.social

Waltzing about in plain sight
Masked and Unmasked at the same time

Fujifilm X-Pro3
Nikon AIS 50mm F1.4
台北スナップ

∫∅∟∪∫'s avatar
∫∅∟∪∫

@solus_lu@mastodon.social

Fujifilm X-Pro3
Nikon AIS 50mm F1.4
台北スナップ

∫∅∟∪∫'s avatar
∫∅∟∪∫

@solus_lu@mastodon.social

本在考慮把Composition換成Rhetoric
但太過直白也就庸俗了
所以想想⋯也就只是想想罷了

Fujifilm X-Pro3
Nikon AIS 50mm F1.4
台北スナップ